Nicolas Poussin
French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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Nicolas Poussin The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05) oil painting


The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05)
Canvas,47 1/2 x 69''(121 x 175 cm).Collection of Louis XIV;acquired from the Duc de Richelieu in 1665
Painting ID::  20477
Nicolas Poussin
The Andrians Known as the Great Bacchanal with Woman Playing a Lute (mk05)
Canvas,47 1/2 x 69''(121 x 175 cm).Collection of Louis XIV;acquired from the Duc de Richelieu in 1665
   
   
     

Nicolas Poussin The Rape of the Sabines (mk05) oil painting


The Rape of the Sabines (mk05)
Canvas,62 1/2 x 81''(159 x 206 cm)Collection of Louis XIV;acquired in 1685
Painting ID::  20483
Nicolas Poussin
The Rape of the Sabines (mk05)
Canvas,62 1/2 x 81''(159 x 206 cm)Collection of Louis XIV;acquired in 1685
   
   
     

Nicolas Poussin The Shepherds of Arcadia (mk05) oil painting


The Shepherds of Arcadia (mk05)
Canvas,33 1/2 x 47 1/2''(85 x 121 cm)Collectin of Louis XIV;acquired in 1685
Painting ID::  20484
Nicolas Poussin
The Shepherds of Arcadia (mk05)
Canvas,33 1/2 x 47 1/2''(85 x 121 cm)Collectin of Louis XIV;acquired in 1685
   
   
     

Nicolas Poussin Orpheus and Eurydice (mk05) oil painting


Orpheus and Eurydice (mk05)
Canvas,49 x 78 1/2''(124 x 200 cm)Collection of Louis XIV;acquired in 1685
Painting ID::  20522
Nicolas Poussin
Orpheus and Eurydice (mk05)
Canvas,49 x 78 1/2''(124 x 200 cm)Collection of Louis XIV;acquired in 1685
   
   
     

Nicolas Poussin Self Portrait (mk05) oil painting


Self Portrait (mk05)
1650 Canvas 38 1/2 x 29 1/4''(98 x 74 cm)Painted for Paul Freart de Chantelou Acquired in 1797 INV
Painting ID::  20594
Nicolas Poussin
Self Portrait (mk05)
1650 Canvas 38 1/2 x 29 1/4''(98 x 74 cm)Painted for Paul Freart de Chantelou Acquired in 1797 INV
   
   
     

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     Nicolas Poussin
     French 1594-1665 Nicolas Poussin Galleries The finest collection of Poussin's paintings, in addition to his drawings, is located in the Louvre in Paris. Besides the pictures in the National Gallery and at Dulwich, England possesses several of his most considerable works: The Triumph of Pan is at Basildon House, near to Pangbourne, (Berkshire), and his great allegorical painting of the Arts at Knowsley. The later version of Tancred and Erminia is at the Barber Institute in Birmingham. At Rome, in the Colonna and Valentini Palaces, are notable works by him, and one of the private apartments of Prince Doria is decorated by a great series of landscapes in distemper. Throughout his life he stood aloof from the popular movement of his native school. French art in his day was purely decorative, but in Poussin we find a survival of the impulses of the Renaissance coupled with conscious reference to classic work as the standard of excellence. In general we see his paintings at a great disadvantage: for the color, even of the best preserved, has changed in parts, so that the harmony is disturbed; and the noble construction of his designs can be better seen in engravings than in the original. Among the many who have reproduced his works, Audran, Claudine Stella, Picart and Pesne are the most successful.

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